Author: Jane

ABOUT MY FAITH

I am frequently asked about my faith. At the end of my marriage to Ted Turner I became a Christian. For several years prior, I had begun to feel I was being lead. I felt a presence, a reverence humming within me. It was and is difficult to articulate. Today I think I know what was happening: I was becoming embodied, whole. I had spent 60 years dis-embodied, trying to be perfect so I could be loved. You can’t be whole if you’re trying to be perfect. Now, as I entered my sixth decade and with much work, I could feel myself becoming whole and I knew: This is what God is. I was stunned when I read in William Bridges’s The Way of Transition, that in Matthew 5:48 when Jesus tells his disciples, “You, therefore, must be perfect, as your heavenly Father is perfect,” it was a mistranslation of the Greek adjective teleios which actually means “whole, fully formed, fully developed.” Jesus wasn’t telling his disciples to be perfect like God, he was telling them to be whole, like God. This is what the third step of Alcoholics Anonymous 12 Step Program means. It says we need to give ourselves over to our higher power, become whole (which addicts aren’t) by welcoming the Holy Spirit into our innermost selves. I began looking for a container to house this fledgling feeling of reverence. Having grown up an atheist I had almost no experience of church and had never read the Bible but I had dear friends in my home-state of Georgia who found comfort and inspiration in their church community and they offered to open this world to me and “bring me to Christ.” Perhaps this would be the container I was seeking. Unfortunately, my very private, tentative step into religion became a loud public misconception. A small- minded person, knowing about my quest, did an interview on a national website without my permission and said that, because of him, I had become a Born Again Christian. I had no intention of going public about my spiritual journey and in no way wanted to be tagged with the fundamentalism that Born-Again Christianity has come to be associated with. I found myself having to defend my action before I was entirely sure what it meant. I did feel reborn, I couldn’t deny that, but it had nothing to do with the perceived doctrines of fundamentalist Christianity. Over the months, I went to Bible study every week, had it interpreted for me by biblical literalists, did my homework faithfully but, as time went on, I felt myself losing the very thing that had called me from within: Spirit. The literalness with which I was expected to read and interpret the Bible seemed to simplify and flatten out what I wanted to experience as metaphor. Christianity was beginning to feel shrunken, freeze-dried. Words like ‘Thou Shalt,’ ‘Salvation,” ‘Lord,’ and ‘Repentance,’ drowned out one of my favorite Sufi poems by Hafiz: Every Child Has known God, Not the God of names, Nor the God of don’ts, Nor the God who never does Anything weird, But the God who knows only four words And keeps repeating them, saying: “Come dance with Me.” Come Dance. As I diligently slogged away in my weekly bible class, doing the homework and studying the charts, I began to notice that the dance was gone. Try to render it literal, concrete, and it dies. I had started my journey with a powerful sense of the divine presence, but the linear approach seemed too rigid to contain this and I began to get scared: What had I gotten myself into? I had met some inspiring, extraordinary Christians, but there were others that came at me, fingers pointing in my face, demanding to know my position on this or that and if I could not say certain key words like “died for our sins,” it meant I wasn’t a Christian. I winced when God was spoken of as a man. God is beyond gender, beyond being, and although gendering God as “Him” may not seem consequential to many, I think it belies the nonbeingness of the Divine. Seeing God as “Him” only serves to reinforce the belief that since God is man, then man is God-like and women are less-than. Riffat Hassan, a Pakistan-born professor of religious studies and humanities at the University of Louisville says that in Islamic, Jewish and Christian traditions there are three basic (and unwarranted) assumptions upon which the ideas of male superiority over women are founded: “first, that God’s primary creation is man, not woman, since woman is believed to have been created from man’s rib and is, therefore, derivative (As Carol Gilligan has said, “If you make a woman out of a man, you are bound to get into trouble); second, that woman was the primary agent of ‘Man’s Fall,’ and hence all ‘daughters of Eve’ are to be regarded with hatred, suspicion and contempt; and third, that woman was created not only from man but for man, which makes her existence merely instrumental.” From what I can see, none of this was Jesus’ idea. He did not see women as less-than after-thoughts. In fact, his friendships with women were revolutionary for that time. The more I study the teachings of Jesus, the more convinced I become that a foundational aspect of his teaching is the equality of women and men in God’s eyes, deserving of equal treatment. Look at the many women who followed him, sustained him. Look at the women who were shunned by all others but who Jesus touched and kissed and loved. Christian women preached and performed the Eucharist. It was to women that the arisen Christ appeared. After his death, when many Christians fled into the desert to set up Christian communities women outnumbered men 2 to 1. I find particularly moving and plausible his special relationship with Mary, the apostle that is revealed in the Gospel of Mary. Jesus was love, not just love for some and not for others but…love…for all. I think two thousand years ago, Jesus’ teachings, including and perhaps especially his respect for women, were so radical and so threatening to the Priesthood (Patriarchy) that they had to try to claim and cage and redefine him as “God in our [read male] image.” The formal church that grew up in the centuries following his death had to diminish the revolutionary content of his teachings in order to create a unified Christian church. In my studies, I learned that 325 years after Jesus was crucified at the Council of Nicea, a gathering of Christian leaders, all men, decided by a show of hands and amidst bitter theological differences, what would be included as Biblical cannon and what was to be left out and decreed that Jesus was not only the Son of God but God himself. In no way do I want to offend more traditional Christians, but if the content of the Bible was determined by a group of men (not all of whom agreed), then surely those seeking to know Jesus should not be demonized for looking outside the canons to what others (including women) had to say about Him. I stopped my Bible study classes but was unwilling to renounce faith. I wanted to see if somewhere there wasn’t a perception of Jesus that reflected my intuition of him. This brought me to Elaine Pagels’s books on the Gnostics, along with various theologians’ and religious scholars’ interpretations of the Bible and the books of the early Christians, all of whom believed that experiencing the divine was more important than mere belief in the divine. I needed to move back into the reverence of metaphor, the language of the soul. That is where I know my faith wants to reside. From time to time, there have been the awakened ones, conduits of perception, who, by fully embodying Spirit, have shown us the way—Jesus, Muhammed, Buddha, Allah, and others. Their messages have invariably been bare-bone-simple, remarkably similar and often embedded in metaphor, stories, and poems—all forms of art. Why? Because the non-linear, non-cerebral forms that are Art speak on a different frequency, they by-pass thinking, penetrate our defenses and jolt us open to consciousness. For a while, I became a student at the Interdenominational Theological Seminary in Atlanta, the largest training center for African American ministers in the country. As a college drop-out who still has anxiety-ridden dreams of leaving a job unfinished, I relished being back in school and overwhelmed with homework: Biblical Exegesis, Feminist Interpretation, Systematic Theology. I was one of the few white students and, despite that, managed to come and go in anonymity—until Monster-In-Law came out and stirred up some excitement—the little old white lady in the back row is the one who kicked Jennifer Lopez’s ass!! Over time, and, I feel, because I stepped outside of established religion, I was able to rekindle the spiritual experience that I’d been seeking. Some will say that because of all this I am not a true Christian. So be it. I feel like a Christian, I believe in the teachings of Jesus and try to practice them in my life. I have found Christians all over this country who feel as I do. They may not have been ‘saved’ yet they hum with divine spirit. My faith is a work in progress (as am I) but I will plant my flag on the belief that God lives within each of us as Spirit (or soul). I like what Reverend Forrest Church says: “God is not God’s name. God is our name for that which is greater than all and yet present in all.” I believe that Christ was the personal incarnation of the divine wisdom in everything, including every form of spiritual expression. Lots of folks go to church every Sunday and spend the rest of their time avoiding dealing with the question of consciousness. They try to pass time with pastimes, possessions, prestige. They think about God and talk about their religious beliefs but avoid experiencing Spirit. Thinking and experiencing aren’t the same. One happens in the head. The other is a flash, a rush of intuition that seems to permeate our entire being. That is what Jesus meant when he said that God is within us. That is what I am seeking, and I have found that since I have come to feel God within me, I experience less fear—of anything, including death. Sharon Salzberg, in her book “Faith,” explains it this way: “As our faith deepens, the ‘container’ in which fear arises gets bigger. Like a teaspoon of salt placed in a pond full of fresh water rather than in a narrow glass, if our measure of fear is arising in an open, vast space of heart, we will not shut down around it.” Another result of my faith is that I have become a deeper, more embodied feminist. Helen LaKelly Hunt is right when she says in her book “Faith & Feminism,” that feminism is about fighting for the core beliefs and values of Christianity. “Religion and feminism are different expressions of the same impulse toward making life more just and whole.”   William Bridges,  The Way of Transition, Perseus Publishing, p. 196 “Gospel of Mary of Magdala: Jesus and the Woman Apostle” by Karen King of Harvard Divinity School

REFLECTIONS ABOUT TONYS FROM PARIS

I did not expect to win. From the very start, when people told me I would win, I appreciated their sentiments but never felt it was a Tony sort of role. Then, once I saw “Mary Stuart” and “God of Carnage” with the four other Tony nominees I felt I truly didn’t deserve to win. Those performances were towering. Truth be known, the entire 5 month experience was the prize for me and I feel so grateful to have had the opportunity to return to Broadway and discover how much I like being on stage and performing night after night. Friends often asked how I managed to do it over and over eight times a week. While it’s true that staying healthy and getting enough sleep is challenging, the chance to grow and deepen in your role makes it all worthwhile. I was finding new ways to play moments right up to the end. This deepening is something that you don’t get in movie acting. Also, it is a wondrous thing to have your whole life so intensely focused on that one thing-that one 2 hour performance. While I’m glad I don’t have to worry so much about sleep, I miss this focus a lot. My agent, Joe Machota (who was also my date at the Tonys), gave me all the reviews of the play the last day I was in New York and I had time to quickly read through them all before leaving for Paris. I deliberately avoided reading reviews until it was over and I am glad I did. They reflected such contradictory opinions of the play and of my performance that I would have gotten confused. Some really liked what I did. Some really didn’t like what I did and some were ambivalent. I find it very useful to read reviews. I always have. I learn from the reviews both the good ones and the bad ones. I learn about the reviewers themselves, about perceptions they have about me as a woman beyond me in the role and I learn how what I do can be perceived by others. This last is especially useful, I think. In a few weeks, while I am recovering from my up-coming surgery I intend to reread the reviews so that I can better interpret them and decide what’s important to know about my work. I will probably write more about all of this later. Right now I am in Paris memorizing my French dialogue for the L’Oreal commercial I will be shooting. See you next time.

Tweets on 2009-06-07

http://twitpic.com/6q4pi – Oprah and fabulous actor in “Ruined” Simon Shabantu Kashama # http://twitpic.com/6q59l – Back stage after “Ruined” with the cast, Samantha, Susan, Oprah, and i am there, behind somewhere. # http://twitpic.com/6q5t9 – Don’t we look happy? # http://twitpic.com/6s17a – My final fitting for the Tonys next to the wonderful Reem Acra. #

TONY AWARDS

Stephen Daldry who won the award for Best Director – Billy Elliot (click photo to enlarge – by: Bruce Glikas) Last night with Moises Kaufman (click photo to enlarge – by: Bruce Glikas) Last night with Carrie Fisher (click photo to enlarge – by: Bruce Glikas) Last night with Moises, Zach and our producer, David Binder. (click photo to enlarge – by: Bruce Glikas) Samantha and Zach (click photo to enlarge – by: Bruce Glikas) Last night at the “God of Carnage” party (click photo to enlarge – by: Bruce Glikas) Click here for CBS web site coverage with videos.

OPRAH AT RUINED

I’ve been writing this over the course of today. Here’s how it started: It was fun having Oprah sitting right next to us-Samantha Mathis, Susan Kellerman and me. Gayle King and her daughter were with Oprah. Both of us were sobbing at the end and I had to pass her tissues. It’s a truly powerful and important play about the war in the Congo and what it has done/is doing to women. This is what Eve Ensler’s organization, V-Day: Until the Violence Stops, is focusing on. In fact, Eve is in east Congo now, at the hospital where Dr. Mugwege receives the raped and brutalized women and sews them up. V-Day has recently broken ground on the ‘village’ we are erecting to house 100 women. There are so many women flooding into the hospital they aren’t able to stay and completely heal, so the village will provide a safe place next to the hospital for further physical and emotional healing. They will receive therapy and learn microentreprenurial skills. Some of the actors in “Ruined” saw Eve when she testified about the Congo in Washington D.C. recently. Phylicia Rashad’s daughter is in the play, her Broadway debut. She is brilliant-beautiful and talented (as is her mother). She can sing like a dream, too. This is a must see play! Derek McLane, who did sets for “33 Variations” and is nominated for a Tony for them also did “Ruined”-again, brilliantly I asked Oprah to follow my tweets and she said she would. I follow her. I was the second person she interviewed for her “O” magazine. It was during that interview that I realized I had to write my memoirs. I told Oprah that last night. Oprah and fabulous actor in “Ruined” Simon Shabantu Kashama Back stage after “Ruined” with the cast, Samantha, Susan, Oprah, and I am there, behind somewhere. Samatha, Susan and I had dinner after at Trattoria del Arte and closed the place down. Don’t we look happy? I am discombobulated today. Partly because I took a pain pill last night cause my knee hurts so bad. The pill has thrown me for a loop. Went to see “Reasons to Be Pretty” by myself this afternoon. Unfortunately Thomas Sadoski, who was nominated for a Tony, was replaced by his (very good) understudy. I was hoping to see him but I was told his wife fell and cut her head and he was with her in the emergency room. Good priorities. Still, I found the play riveting. Strange. Not easy. But riveting. I took pictures of people taking pictures of me in front of my Times Square hotel as I waited for my friend, Lisa Birnbach to arrive and pick me up. It’s funny cause normally I go around anonymously. Then I went with Lisa to the Tony cocktail party at which Phyllis Newman was honored. The Phyllis Newman Women’s Health Care Center is one of the beneficiaries of Broadway Cares. I’ve known Phyllis from decades ago. She and Adolph Greene were close friends of my fathers. Zach Grenier (my beloved Beethoven, also a Tony nominee) was there, and Moises Kaufman, our writer/director, and Roger Friedman and Michelle Lee and Lucy Arnez and Oscar Eustis, Director of the Joe Papp Public Theatre and many other friends. It was fun and, once again, I felt embraced by this wonderful Broadway community. After that, Lisa and I saw “The Norman Conquests: Round and Round the Garden,” the third in the trilogy. I loved it and wished I had seen all three. Scott Peacock and Alice Waters sat right behind us. Scott’s going to be at the Tonys tomorrow. A cheering section. To end the day we had dinner with Jeff Daniels, his wife Kathleen whom I had not met before and who is smart and lovely as I would have expected and Jeff’s manager and friend, Paul Martino. We’re all looking forward to the swag tomorrow at the Tony rehearsal. It was Jeff who first told me about swag. Jeff and the others in “God of Carnage” have all re-upped for continuing the play in the fall after a 6 week break. I wasn’t sure they would but, clearly, having a good, reliable and fun job to count on till the year’s end is not to be sneezed at-not in these times. Rehearsal is fairly early so I’m off to bed. I still dream about the play and still feel the Galapagos ship rolling under me. I’ve probably forgotten a lot of stuff from today but too bad. I’m pooped. See you next time.

Tweets on 2009-06-05

Carole holding Tulea to say goodbye. I won’t see T. Again for 2 weeks. http://twitpic.com/6ltcm # Several heinous paparazzi have made it a habit of holding cameras in my face at La Guardia. I refuse to lose my cool. # RT @RevDebra what’s wrong with media coverage of murder of Dr. Tiller, http://bit.ly/L7zZ3 # When I’m in NY and need a car, I use OZOcar http://ozocar.com/, an environmentally focused company that provides hybrids. http://OZOlife.com # My pal Rosario Dawson has my clutch which she bought at a V-Day board meeting we both sit on http://bit.ly/F22cF #

JOE TURNER’S COME AND GONE

This is the play the Obamas saw when they came to NY on a recent date. The first act was somewhat opaque but I got swept away by the 2nd. Sobbing, less from sorrow, more from revelation. I must read the script. There were passages of such inspiration and I want to quote them in my new book about aging.. Getting excited about the Tonys. Just got an invitation to a pre-Tony cocktail party on Saturday and want to go. Emailed my new friend, fellow nominee Janet McTeer to ask if she was going and she reminded me it’s a 2-show day so I doubt many actors will show….Geoffrey Rush probably will. He’s clearly a party guy. See you next time.

LAST DAY HOME

Oh me oh my, there have been a lot of last days of late: last day on Broadway, last day in the Galapagos. Now it’s my last day in Atlanta, perhaps till the end of September when I am coming back for a fundraiser and the next board meeting. That may well be happening in the midst of a film.

 Tomorrow I go back to New York where I will catch up on plays I did not get a chance to see while I was on Broadway myself. Tomorrow night it’ll be “Joe Turner’s Come and Gone,” then I am taking Samantha Mathis and Susan Kellerman (who were in “33 Variations” with me) to see “Ruined” and Saturday I’m having lunch with a woman who, like me, is very involved with the empowerment of adolescent girls, then I see the matinee of “reasons to be pretty,” then I’m taking my pal the smart, funny author and radio talk show host, Lisa Birnbach, to “The Norman Conquest: Round and Round the Garden,” followed by dinner with Jeff Daniels…it’ll feel like (not so) ol’ times.

 The Tonys are Sunday–there’s an early rehearsal which I will have to go to cause I’m presenting the award to Best Featured Actor. I hope I still fit into the Reem Acra dress after all those scrumptious meals on the boat in the Galapagos. I will be tweeting the whole time so stay tuned. Monday after the Tonys I go to Paris to film a commercial for L’Oreal (in English and French–i have stayed fluent in that language). It’s a great company to work for. Imagine a company that has a 71 year old brand ambassador (that’s what we’re called). I am the “face for older women everywhere in the world but the U.S. Diane Keaton does it here. Hopefully the film with her will go in Sept. When it’s 100 percent certain I’ll tell you about it. I’d love to work with her.
 
Very soon the “store” will be set up on my blog so that those who want to can buy the mug shot totes, clutches, mugs etc that I’m selling to benefit the non-profit, G-CAPP that I founded 15 years ago. (See the side bar for their website).

 All for now. I will finish packing and then to bed. I’m wiped.

 Carole holding Tulea to say goodbye. I won’t see T. Again for 2 weeks. View from my terrace of the beautiful Atlanta skyline. See you next time.