Author: JF.com

Trouble The Water

Whew! Even though I had yesterday (Sunday) off I didn’t get to blog. First of all, my daughter Vanessa, Samantha Mathis and three of her friends all went out till 2am and I slept till noon which is a first for me. They are all really smart people and had insightful things to say about the play which they found moving. Last night I watched a DVD of the documentary someone sent me called “Trouble the Water” about hurricane Katrina. It is a very powerful view of that disaster. It starts off as a video made by a young black woman named Kold Medina who lived in the Ninth Ward. Kold and her family couldn’t “afford the luxury” of evacuating (no evacuation plans or vehicles were made available to those who had no car) so she decided to document the experience on her own. Because Kold is so charismatic, fierce and generous, I was drawn into her story. Later, after her family had finally managed to leave the city, she somehow hooked up with professional documentary filmmakers who weave together her very rough, hand held video work with their own filming to create the final product. I may be wrong, but I heard it was nominated for an Oscar. Danny Glover is one of the producers. It’s authenticity gives it a power that other films about Katrina have lacked. We just did a complete dress rehearsal and tonight is our first public performance. I feel very ready. I need an audience now. Not that there won’t be mistakes, forgotten cues, dropped lines, etc but time and repetition will cure that. I have a number of close friends coming tonight: Gloria Steinem, Eve Ensler, Pat Mitchell and Scott Seydel, Sharon Fergusen Maxwell and her daughter, the actress Megan Maxwell. I am so glad they are all coming to be with me and the play tonight. I have gotten such beautiful flowers this afternoon and they make me so happy. Val Kilmer sent me the largest bunch I have ever received. He is such a dear friend and neighbor in New Mexico. Kimberly and Katherine who own the Pilates on Fifth sent me gorgeous roses and the Women’s Media Center staff sent a white orchid. I will take my nap surrounded by the sweet smell of love. See you next time.

Must have been 8 years old here

That’s me with braids on the right & Maria Cooper (Gary Cooper’s daughter) seated Far Left. click to enlarge

My Dad

With dad on the set of “On Golden Pond” 3/29/1982-Beverly Hills, CA-Henry Fonda holds his Oscar in his Beverly Hills home after it was delivered to him by his daughter, Jane Fonda. He was named “Best Actor” at the Academy Awards presentation for his work in “On Golden Pond.” With Dad when he won the American Film Institute “Life Achievement Award” click for more info

My Daughter is Coming

We’re in the middle of a final tech stumble through and then, at 7:45 we’ll do a final run through (hopefully without stopping) before the first public preview on Monday. Vanessa, my daughter, has to go back to Atlanta tomorrow for her children so she’s coming tonight. I’m nervous. A part of the play’s story has to do with a mother-daughter relationship. I am worried what she’ll think. I worry she won’t like the play. I never know with her. It’ll be fun having her in the dressing room though and we’ll get to spend part of Sunday together…she’s staying with me. She arrives here at the theatre in exactly one hour. Meantime, it’s the ear plugs and the essential nap. See you next time.

St. Malachy

Here’s something you probably don’t know about that is one of really cool things about Broadway: Every matinee and evening, one half hour before the curtain goes up, the bells of St. Malachy’s church chimes “There’s No Business Like Show Business”! It’s a beautiful church known as the Actors’ Chapel and it is right across the street from the Eugene O’Neill Theatre. I arrived at the theatre today to see the billboard lying on its side ready to go up. I like that I will be looking out from the billboard straight across the street onto St. Malachy church. The church has special mass held between shows so that theatre people can attend. Don Amendolia who plays the music publisher Diabelli, says actors’ weddings and funerals are often held there. And a year or so ago when there was the actors’ strike, the church allowed Union meetings to be held there. Colin Hanks Having completed the first complete tech rehearsal last night at 11pm, we are now about to try doing a full run through with all the bells and whistles. Because the show is so technically complicated there will surely be glitches but it will good to see how well I can remember everything from Monday…like where my spot light will be at the top of Act two and so forth. There have been a dozen or so people sitting out in the audience all week who aren’t familiar with the show—makeup consultants, my wig maker, costumers, the marketing and PR people, etc. They have all gone out of their way to tell me what an impact the show is having on them…and they haven’t even seen a run through yet! It’s the imagery, the lighting, the visual concept that originated with Moises and that has been so exquisitely executed by Derek McLane our set designer, David Lander, our lighting designer and Jeff Sugg, our Projection designer. I am chomping at the bit to have an audience see it. See you next time.

The Cranes Are Flying

The cranes are in front of the Eugene O’Neill getting ready to take down the signage for “Spring Awakening” (the show that preceded us…which I saw twice I liked it so much) and to put up the marquee for “33 Variations.” Lori Elwell, my pixie-like dresser, just asked me how I would feel seeing myself up on a Broadway marquis after 45 years. “Will your feelings be the same as back then or different?” she asked. I had to think about it for a moment. “The same,” I had to reply. “It will seem as surreal now as it did then.” I still find it hard to believe that I have survived all the sturm and drang for the past four decades. I only came to realize later in life the extent to which I didn’t follow the rules proscribed for those who want a successful show biz career. At the height of my most bankable years (24 to 32 yrs) I lived in Paris; then I became very controversial during the following decade, almost entirely eschewing the glamour and Hollywood relationship-building that I now realize is so essential to survival to a long career/See you next time. Lori Elwell, my dresser, sitting at my makeup table. Waiting to be mounted. Waiting to be mounted. The play billboard–closeup of wrinkles.

Losing Track of Days

Feb ?? What day is it? They are all starting to bleed into each other. Work till midnight, fall into bed. Pray for sleep (those good old ear plugs!!). Actually, this morning I did Pilates with Kimberly. It felt great after too many slothful days. Well, not slothful, actually, but with no physical challenge. We got to the second act today. It’s a complicated show technically so it’s slow going but when I’m not needed I go out into the audience to watch. I’m blown away by the set and the lighting. During earlier rehearsals, the ‘old-timers’ who’ve done it before told me I would feel cocooned in light and they were right. Erik Steele, as Anton Schindler, Beethoven’s secretary is amazing. As I said in an earlier blog, he’s Cirque de Soleil by way of Dickens. We should be ready to have a rough tech run through on Friday and then on Saturday we’re hoping to have a very small group of invited guests to watch the final run through before public previews begin on Monday. Moises assures me that people who come to previews know we are still working out the kinks and that they’ll be forgiving. I hope he’s right. I was thinking today on my way to the theater how grateful I am just to be working, never mind doing something really exciting. So many aren’t. I ache when I read about the layoffs. I’ve lost a lot but it’s nothing compared to friends of mine who have lost everything they had because every penny they saved over their entire lifetimes was invested in one of Maddoff’s schemes. I read a few days ago that Maddoff was complaining that he felt like a prisoner in his own penthouse! I want to shake him till his teeth fall out. No matter what happens once this play opens, I won’t be complaining. I feel blessed. I also feel tired. Enough. See you next time.

Voice Work with Kate Wilson, Julliard Instructor

[kml_flashembed fversion=”8.0.0″ movie=”/flashvideoplayer/preview-big.swf” targetclass=”flashmovie” bgcolor=”#000000″ publishmethod=”static” width=”457″ height=”259″ allowfullscreen=”true” fvars=”MediaLink=http://dstar1.vo.llnwd.net/o1/jj/jf/videos/voicework1500.m4v;image=http://www.janefonda.com/images/voicework1500.jpg;playOnStart=false;logo=http://www.janefonda.com/flashvideoplayer/small-logo.swf;share=false;”] [/kml_flashembed]