Author: JF.com

South Pacific Revisited

Patti Bosworth and I both thought the revival of “South Pacific” was even better than the original in many ways, mostly having to do with the believability of the leading actors, and certainly way better than the movie. We went through a packet of tissue, weeping at each and every song. They were so emotion-laden for us. We both spent hours as teenagers memorizing every word to every song. Tonight I see “Equus” alone. I think I am getting into the Broadway vibe in a good way. Sunday is “Billy Elliott,” again with Patty, then no more outings during rehearsals. I called Sally Field to get theatre advice from her and she, like Eve Ensler, cautioned me about conserving energy. I noticed last night during the play that my mind often drifted to my character in “33 Variations,” Dr Katherine Grant. Things the actors did in “South Pacific” inspired ideas that I would think through to myself even while my attention was partly focused on the stage. What this signals to me is that I’m entering that strange space where you start to move from being totally yourself and start to become obsessed by who you’re transforming into. It is a vulnerable, uncertain place. Like having a foot in two worlds and you risk falling through the crack in between. As the days go on, I know I will start finding myself more distracted than usual. Losing things. Walking into walls. Seriously. Since I know what it signals, I don’t get upset like I did in the beginning of my career. I’ve known Patti Bosworth for so long and it’s wonderful to be reconnecting on a more regular basis. Tomorrow night she is having a dinner party for our mutual friend, Fred Branfman. I got to know Fred at the same time as I started my 17 year marriage to Tom Hayden. Fred was reknowned in the late 1960s and 70’s for singlehandedly exposing the secret war waged by the U.S. Air force in Laos which destroyed the Laotian civilization in the Plain of Jars. He was often called upon to testify in Congress and wrote a book and many articles about what our bombs did in Laos. He worked with Tom and me in our Indochina Peace Campaign (IPC), doing much of the research and producing amazing booklets and leaflets about the Vietnam War. IPC helped rebuild the U.S. anti-war movement in the early 1970s and contributed to ending the war. Fred was with us the whole way. He was married then to a wonderful Vietnamese woman named Thoa and the two of them slept in a small room on the porch of our home in Ocean Park, California. Fred is about 6 foot 5 inches (Thoa about 4 ft 9 inches!) and when I’d come out on the porch in the mornings to bring my children to school, I would usually see Fred’s feet sticking out the door of their little porch room as they slept on the floor. Fred has remained a dear friend over the years and I have watched with interest his numerous transfigurations as he searches for peace and self-identity. He spends much time these days in Hungary with Zsuzsa, who he describes as his “cosmic Connection” and tomorrow a group of us will welcome them both to New York at Patti’s apartment. Nan and Gay Talese will be there (Nan was my very first book editor in the early 1980’s when she was at Simon & Schuster and I was writing my first Workout book.) Jules Feiffer will be there. I haven’t seen him for ages. He wrote one of the comedy sketches for the anti-war FTA Show that Donald Sutherland and I toured to military bases around the US, Hawaii, Okinawa, and Japan in 1971. My childhood friend, Maria Cooper, daughter of Rocky and Garry Cooper and her husband, the great pianist Byron Janis will also be there. I look forward to talking to Byron about my new play, “33 Variations,” as it concerns what is probably the greatest solo piece for piano ever composed in variation form. I’m sure he has performed it during his illustrious career. I will try to take pictures that capture the spirit of the evening, though I’ll have to admit that making public my private fun and adventures for this blog is quite foreign to me and a little uncomfortable. Maybe I’ll get used to it. Maybe not. See you next time.

New York After 45 Years

I am on the Delta flight to New York with Tulea. It was weird leaving my Atlanta loft for 5 months. This is a first. A Hollywood feature film takes, on average, 3 months. An Indy film takes maybe 5-7 weeks, But 5 months! Yikes. The last time I did a Broadway play I lived in New York. In fact I lived in NY for a decade from age 13 (early 50’s) to my early twenties around 1963. I did four Broadway plays during that time. Then I went to France to do a film and fell in love with the French/ Russian filmmaker, Roger Vadim, father of my daughter Vanessa. I lived there 8 years, coming back from time to time to do films like “Cat Ballou,” “The Chase,” “Barefoot in the Park,” and others. It was Vadim who directed “Barbarella” among other films with me. That was 1967-68. I haven’t lived in New York since. Back then, there were about 4 billion fewer people in the world and you could feel the difference everywhere, not just in New York. The traffic you see everyday in NY now you only found around major holidays like Christmas back in the 1950s. Sundays you could just about roll a bowling ball down Fifth Ave. One of my favorite places to go and be solitary and meditative was the Frick Museum on Fifth Ave with its beautiful court yard. Last year when I went back to the museum, it was packed with people and not conducive to meditation at all. I will give it another try soon. The whole pace and tenor of the city has changed as a result of more people and more stuff. Having TVs in taxis feels like an unwelcome intrusion. Can’t we ever just be, without added stimulation. Is contemplation so scary? I realized the other day that I can simply turn them off. Whew! Still five months will be an adventure.. That’s how I choose to think of it. I could be real scared. I mean 8 shows a week after 45 years!!! But I am choosing to think of it as an adventure, a challenge. A friend of mine who is 76 says that at this age you’re supposed to be retired, not looking for new adventures and that I and my friends are unusual. I don’t agree. Random House, pleased with the response to my memoirs, “My Life So Far,” asked me to write another book about aging. As of now, I’m calling it “The Third Act: Entering Prime Time.” What do you think of this title? So far I’ve written 9 or 10 chapters but haven’t done much writing these last 6 months cause family ‘issues’ got in the way….and now, with the play, I will be even later getting it done. I won’t know for awhile whether or not I can write during the days when I don’t have a matinee. We’ll see. I hope so. Anyway, while doing research for this new book, I’ve seen how many older people in their third acts are not looking to retire. Many—so many—are still up for change and adventure and making a difference. Some are wanting to start new careers, fulfill early dreams they never got around too during their second acts. Some are wanting to continue work but under more flexible conditions (and, it turns out, companies that allow this to happen for their older workers reap the benefits). Back to the play, “33 Variations”: I play a musicologist of today who is obsessed with figuring out why Beethoven, at the height of his powers, spent 3 years writing 33 variations on a mediocre waltz written by a music publisher in 1819. My character is passionate in her quest for understanding and it’s a race against time for her to get a paper written on the topic and delivered to a conference because she is sick. Beethoven (who is also a character in the play) is also obsessed with finishing the variations because he is becoming deaf. Obsession, passion…these are things I love in life– the fact that people can grow old and become sick and yet their passions remain undimmed. Some of the greatest artistic works and achievements throughout the ages, have been done by people late in life—Monet, Cezanne, Degas, Matisse, Beethoven, Michelangelo, Albert Schweitzer and many others. Age and infirmities are as important as we allow them to be.  No question that things change as we age. There are the aches and pains. Like jalopies, hub caps fall off, fenders get bent, and we keep on, making a life inspite of it….a life that, as Beethoven and others showed us, can be enriched by these corporal challenges. This play I’m entering touches on this. I have met people who’ve seen “33 Variations” performed at the Arena Theatre in DC and the La Jolla playhouse in California and say it is very, very powerful. It is certainly unusual in its style, with the past and present interweaving the way they do. Another wonderful aspect of the play that I am just beginning to appreciate is how music is also interwoven. There is a concert pianist as part of the play that performs the variations as they are being talked about and this adds a unique richness and depth. The first week of December I spent a week in New York rehearsing. Most of the time, the other actors were not there and our writer/director, Moises Kaufman, brought in actor friends and people from his Tectonic Theatre to read the other parts. This is when I realized how unusual the play is. Moises was wonderful. I was so nervous at the start, afraid I wouldn’t be good enough. But one thing happened that made me realize how much progress I have made in the confidence department over these 45 years: Moises told us that there would be an hour-long production meeting in the rehearsal room during the lunch break and that we should wait outside in the foyer before coming back in. Well, the hour went by and then 20 more minutes. 45 years ago, I would have assumed the producers and director had realized I wasn’t right for the part and the meeting was running over because they were trying to figure out how to tell me that I was fired. This time, though, I didn’t jump to negative conclusions. I knew they needed me as much as I needed them. Whew! Not that I knew I had a lock on the character, however. Quite the opposite. It isn’t an easy play to read. The humor (there’s actually a lot of it!) and emotion doesn’t “jump off the page.” Several weeks before, though, I was on a flight somewhere to make a speech. The coach section wasn’t full and I had empty seats on both sides of me so I took advantage of this to rehearse…not exactly out loud but whispering. Still, people coming and going down the aisle thought I was out of my mind. The flight attendant admitted this to me later. I found a way to bring a lot of emotion to some of my long speeches. I couldn’t wait to bring my discoveries about the character into rehearsal. When I did, however, I realized right away that I was on the wrong track. I’m a musicologist…fairly academic, All the emotion wasn’t appropriate. If Moises hadn’t been so gentle, hadn’t let me discover on my own that my take wasn’t quite right, I would have dissolved. But he was so generous and kind and open, that it all went well. He is also very collaborative, allowing everyone, even the non-actors, to give their opinions and ideas. And he really listens. I think his unique style has been what’s responsible for the good, creative work of the Tectonic Theatre which he and his partner, Jeff Lahoste, founded a number of years ago. The actor Samantha Mathis will play my daughter and Colin Hanks will play a male nurse who falls in love with her. It will be fun to get to know these two who, like me, come from actor parents. There are 7 characters total, 4 exist in present time and three are from the past, including Beethoven. Since I began this blog I have moved into my NY apartment. It’s a one bedroom affair with a splendid view down Manhattan. If I squint I can see the Statue of Liberty. When I visited the apartment in early December, Kristin Scott Thomas was living here during her run in Chekov’s “The Seagull.” What an extraordinary actor she is! Have you seen her in the film “I’ve Loved You So Long“? Whew! She’ll be one of my nominees for Best Actor for an Oscar for that role….and with almost no words, just subtle changes in expression, she tells a whole story of emotional transformation. I am going to see “South Pacific” tonight with my friend, Patti Bosworth. I knew Patti back in the Actor Studio days. She has been an actor but now has become a highly regarded biographer and is currently writing a bio about me. I look forward to it. Finally a woman writing my bio. There have been 5 or 6 of them, all by men. Some okay but superficial. A few downright hostile. This is one reason I decided to write my own. And now Patty’s doing one. Hmm. Seeing “South Pacific” will be an interesting experience tonight. I was at the opening of the original back in the 1950’s and loved it so much I knew every word to every song—still do. I didn’t know it at the time, but my father was in love with Oscar Hammerstein’s daughter, Susan. Ockie (that’s what friends called him) wrote the lyrics to “South Pacific” and later, when my dad married Susan, Ockie became my step-grandfather and I got to know him. What a kind, good, generous man he was. You can tell from his lyrics. Especially “You’ve Got to be Taught” about how people aren’t born racist, they have to be taught. I wrote a chapter called “Susan” in my memoirs about this stepmother who my brother and I adored. So that’s it. My first day in NY. I gotta walk Tulea and get ready for tonight. See you next time.

A New Year

This is the start of a New Year and I am about to start something exciting and a little scary—at, what some would consider, an advanced age. To hell with that old paradigm notion. What does age have to do with it? Blogging itself is a new adventure for me. You see, I have always been something of a luddite… Someone intensely resistant to technological advances. (see footnote added by Robin Morgan if you want to know the history behind the name). I Googled for the first time this summer at the urging and with the help of my pal, poet and author, Robin Morgan, who was staying with me at my ranch in New Mexico. (More about her and my ranch another time) Why hadn’t I known about this sooner. I mean, I knew about Google, I’ve actually visited their campus and spoken there, but had never availed myself of its treasures. Listen, I didn’t even have a computer (PC) till I was 58. I was married to Ted Turner at the time. He is a Luddite for sure and will die that way. He hates all this stuff. Doesn’t even have a cell phone. When I want to email him or he email me we have to pass it through Debbie, his saint of an assistant. He threw my computer across the room once when he thought it was taking me away from him. I adore my computer and have had a big-time relationship with it for thirteen years now. I would never have been able to write my memoirs (and enjoy doing so—a lot!) were it not for my PC, its files, cutting and pasting. Ooooh it was so much better than how I used to do it…taking scissors and cutting and taping paragraphs in new places and since I always rewrite as I go, I’d end up with something resembling the Dead Sea Scrolls. And I do a lot of public speaking so I cut and pasted in this truly old fashioned fashion for way too long. A few years ago I asked Gloria Steinem if she had a website/blog and her negative reaction convinced me I’d never want one either….”You lose all privacy.” But my new techy friend James Andrews, persuaded me that it doesn’t have to be that way. James Andrews is very cool. Check out his website thekeyinfluencer.com. He and his drop-dead smart and gorgeous wife, Sherrelle Kirkland-Andrews (her blog is called funkidivagirl.com) and their 2 children moved to Atlanta 4 years ago (that’s where I live mostly—I came with Ted and stayed. More about that some other time…my staying, that is). AND, Andrews has done what Robin Morgan and other friends have been unable to do…persuade me to switch to a Mac. I’m scared and excited to leave my good old familiar PC but everyone keeps telling me how far more user-friendly the Mac is. James is also getting me to use a streaming video camera. Not sure about that part yet. The people I’ve seen use them– staring into their cameras and answering questions and stuff while managing to look decent are all around 20…or so they seem. Flattering those streamers are not. Hmm. Have to figure this one out. Maybe attach a key light to the top of it. I’ll let you know. But here’s the really big deal for me at the start of this New Year: tomorrow at 6am, I am packing up my stuff and my dog Tulea (more about her later—in fact I will have photos and stories of my little 8 lb soulmate) and moving to New York for 5 months to star in my first Broadway play in 45 years! The last time I was on Broadway, Kennedy was president and it was in an Actors Studio production of Eugene O’Neil’s “Strange Interlude” starring the memorable Geraldine Page. This new play is called “33 Variations” and Obama will be president when it opens (thank you, Lord!) at the Eugene O’Neil Theatre. Previews start Feb 9th (Yikes!) and the official run starts March 9th. (See side bar for more info about “33 Variations.” This unusual play was written and is being directed by Moises Kaufman. He and his company, The Tectonic Theatre did, among others, “The Laramie Project” based on interviews about Matthew Sheppard’s murder with the people of Laramie, Wyoming, where the murder happened. I saw the HBO film based on the play and found it incredibly moving and important. It’s late and I have to get up really early for my flight so this is all I’ll do for my first blog. Tomorrow I will try to describe my thoughts and feeling as I face this new and challenging chapter in the second scene of my third act. (Third act= 60 until death. First scene of third act= from 60 to 70.) I am a quite different person than 45 years ago. New York is a different city. It is, as I just said, an unusual play. People who’ve seen earlier stagings of it in Washington and La Jolla say it is amazingly powerful. I want to try to take you through the whole process with me—from start to finish. Let the journey begin. See you next time. (That’s how I always ended my JF Workout videos.) PS. The blog isn’t actually set up yet. Maybe next week. But I am writing anyway and will post it asap.. PPS: Robin’s info on the history of Luddites: The Luddites were a social movement of British textile artisans in the early nineteenth century who protested—often by destroying mechanized looms—against the changes produced by the Industrial Revolution, which they felt were leaving them without work. This English historical movement has to be seen in its context of the harsh economic climate due to the Napoleonic Wars, and the degrading working conditions in the new textile factories; but since then, the term Luddite has been used derisively to describe anyone opposed to technological progress and technological change. The Luddite movement, which began in 1811, took its name from the fictive Ned Ludd. For a short time the movement was so strong that it clashed in battles with the British Army. Measures taken by the government included a mass trial at York in 1812 that resulted in many executions and penal transportation. The principal objection of the Luddites was against the introduction of new wide-framed automated looms that could be operated by cheap, relatively unskilled labour, resulting in the loss of jobs for many skilled textile workers.

02/02/09 – Screening of FTA

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California Hall of Fame

CA Hall of Fame: The Inductees and Relatives of Deceased Inductees (click to enlarge) The California Museum in Sacramento is opening an exhibit to honor actors Jane Fonda and Jack Nicholson and other 2008 inductees into the California Hall of Fame. At a ceremony Monday, musicians Dave Brubeck and Quincy Jones, fitness guru Jack LaLanne, sculptor Robert Graham and chef Alice Waters were also inducted. Inducted posthumously were “Dr. Seuss” author Theodor Geisel, photographer Dorothea Lange, architect Julia Morgan, scientist Linus Pauling and former Gov. Leland Stanford. The exhibit opens Tuesday and features memorabilia from this year’s inductees, including Nicholson’s Joker costume from the 1989 movie, “Batman.” First lady Maria Shriver started the program in 2006 to honor people who have helped shape the state. With Troy In my special display area in the Museum which houses the California Hall of Fame, established by the First Lady. He’s still gorgeous and was extremely gracious With Maria Shriver [kml_flashembed fversion=”8.0.0″ movie=”/flashvideoplayer/preview-big.swf” targetclass=”flashmovie” bgcolor=”#000000″ publishmethod=”static” width=”457″ height=”373″ allowfullscreen=”true” fvars=”MediaLink=http://dstar1.vo.llnwd.net/o1/jj/jf/videos/20081215_hall.flv;image=http://www.janefonda.com/images/halloffamevideo.jpg;playOnStart=false; share=false;”] [/kml_flashembed]

L’Oreal Interview

I am an International Ambassador for L’Oreal Paris. This is a video I did for L’Oreal in 2007. [kml_flashembed fversion=”8.0.0″ movie=”/flashvideoplayer/preview-big.swf” targetclass=”flashmovie” bgcolor=”#000000″ publishmethod=”static” width=”457″ height=”289″ allowfullscreen=”true” fvars=”MediaLink=http://dstar1.vo.llnwd.net/o1/jj/jf/videos/lorealinterview-aug2007.m4v;image=http://www.janefonda.com/images/lorealinterview.jpg;playOnStart=false;logo=http://www.janefonda.com/flashvideoplayer/small-logo.swf;share=false;”] [/kml_flashembed]

Charlie Rose – Guest host Barbara Walters

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Inside the Actors Studio Clips

[kml_flashembed fversion=”8.0.0″ movie=”/flashvideoplayer/preview-big.swf” targetclass=”flashmovie” bgcolor=”#8fc3f4″ publishmethod=”static” width=”457″ height=”373″ allowfullscreen=”true” fvars=”MediaLink=http://dstar1.vo.llnwd.net/o1/jj/jf/videos/inside-actors-studio-clip.flv;image=http://www.janefonda.com/images/actorsstudio.jpg;playOnStart=false; share=false;”] [/kml_flashembed] [kml_flashembed fversion=”8.0.0″ movie=”/flashvideoplayer/preview-big.swf” targetclass=”flashmovie” bgcolor=”#8fc3f4″ publishmethod=”static” width=”457″ height=”373″ allowfullscreen=”true” fvars=”MediaLink=http://dstar1.vo.llnwd.net/o1/jj/jf/videos/2005-april-24-actors-studio-clip.mov;image=http://www.janefonda.com/images/actorsstudio2.jpg;playOnStart=false; share=false;”] [/kml_flashembed] 24 April 2005 (Season 11, Episode 15)